About

My practice is lens-based, working across photography and moving image to explore memory, temporality and lived experience. Rooted in analogue processes, I am particularly interested in traditional and experimental darkroom techniques, including cyanotypes and the use of natural and sustainable materials. These processes create a tactile relationship between image, time and environment, embedding traces of memory and transformation within the work itself.

Alongside this, my practice has developed through sustained work in creative health contexts, where I facilitate participatory workshops with women and community groups. Here, photography becomes a shared, reflective process, a way of exploring personal histories, embodiment and a sense of belonging. I am interested in how images can hold lived experience with care and how collaborative methods can shift authorship and create space for multiple voices.

More recently, my work has focused on women’s health and experiences of chronic pain, exploring how lens-based practice can be used ethically and collaboratively to engage with themes of visibility, agency and representation. Through both personal and participatory work, I am interested in how images can articulate what is often unseen or difficult to express, creating a visual language that is quiet, embodied and attentive.

Since completing my MA in Photography in 2020, I have worked as an artist facilitator across the UK, delivering workshops and projects with organisations including Brighton Women’s Centre, Survivors’ Network, Terrence Higgins Trust and ONCA Gallery. I divide my time between personal projects, commissions and community-based work, with a focus on photography as a relational, care-led practice that supports connection, reflection and shared experience.